without Internet Explorer,
in 1280 x 960 resolution
|Underoath||Act of Depression||Aug 30th|
|Pissgrave||Suicide Euphoria||Aug 30th|
|Missing Tide||Follow the Dreamer||Aug 30th|
|Vattnet Viskar||Settler||Aug 30th|
|Demon Eyes||Garde à vue||Aug 30th|
|Taake||Nattestid ser...||Aug 30th|
|Immortal||At the Heart of...||Aug 30th|
|Infernal War||Axiom||Aug 30th|
|Nile||What Should Not...||Aug 30th|
|Impetuous Ritual||Unholy...||Aug 30th|
|Opeth||Blackwater Park||Aug 30th|
|Royal Hunt||Devil's Dozen||Aug 30th|
|Tyrant Hammer||Militant Storm||Aug 30th|
|The Gathering||Always...||Aug 30th|
|Gestalt||Infinite Regress||Aug 29th|
|Necromancy||Ancient Wrath||August 31st|
|Hell:On||Once upon a Chaos...||August 31st|
|Birkabein||Malevolance & Glory||August 31st|
|Omnium Gatherum||Skyline||August 31st|
|Tyrant's Kall||Gla'aki||August 31st|
|Meliah Rage||Before the Kill||August 31st|
|Doomshine||The End Is Worth...||August 31st|
|Miasma||The Ancient Fallacy||August 31st|
|Warfare||Noise, Noise,...||September 1st|
|Engendro||In the Throne of...||September 1st|
|Clouds Taste Satanic||Your Doom Has Come||September 1st|
|Primigenium||For the Children...||September 1st|
|Bevar Sea||Invoke the Bizzare||September 1st|
|Ancient Altar||Dead Earth||September 1st|
|Mephorash||1557 - Rites of...||September 1st|
|Purtenance||...to Spread the...||September 1st|
|Ostrov||Live at the...||September 1st|
|Abysmal Growls of Despair||Between My Dead||September 1st|
Minor detail: "digipak" is the preferred (and technically correct/patented) spelling, NOT "digipack". Please try to stick to the former as a single standard. That is all.
A number of you might have already noticed that we've added new options to the "status" field for band pages and the "release type" field for album pages. These new options, "Disputed" for band status, and "Collaboration" for release type were introduced to help clarify some issues with bands and albums:
Disputed should be used when it's known that band members disagree about the status of the band. There are numerous situations where this status would be useful: when a band is currently undergoing a legal dispute over who owns the band (ex. formerly Gorgoroth, Queensrÿche); when band members go separate ways but still lay claim to the band (ex. Tank, English Dogs); when band members decide to continue or revive a band against the wishes of other members who have claims to the band (ex. Pungent Stench, Black Death); and when it's known that band members can't make up their mind whether their band is active, on hold, changed name or split-up. Unlike the unknown status, disputed should only be used when it's known that there's a disagreement among band members.
Collaborations are albums comprised of material that is mutually developed jointly by multiple, often unaffiliated artists. Unlike a split album, or a various artist compilation, a collaboration doesn't normally have tracks that belong to one artist/band or another. Nearly all tracks in a collaboration have been produced in tandem by all contributing artists/bands; essentially, the album "belongs" to both artists/bands. Please be careful when judging whether an album is a collaboration or not. If the album is marketed as a joint effort by multiple artists/bands, it is likely a collaboration (for example, the Metallica/Lou Reed album "Lulu"). On the other hand, if the album features an unaffiliated artist, and the album is marketed as belonging only to one artist/band, that's not a collaboration. That's a regular album with a guest invited to play on it. It can be a bit tricky, but hopefully that makes sense and seems sensible.
A note about collaborations: Like with split albums, if a collaboration features a band that's not on the site, or an artist without a solo-project, you can still add the band or artist as an "unlisted band" to the collaboration. If a contributing artist is already listed on the site, please add him or her under the appropriate band in the collaboration album's line-up.
Thanks again for your understanding! \m/
A recent decision has been made to streamline the manner in which track-specific contributions are added to album lineups. Some of the userbase has adopted a procedure wherein the track titles are spelled out in full:
Bruce Dickinson - Vocals (on "The Trooper," "Flight of Icarus," "Aces High")
It goes without saying that this becomes very messy and difficult to navigate as more artists/credits get added, let alone the erratic nature in which the syntax is interpreted. In order to retain readability and consistency, please add/modify the relevant credits based on their position in the track order. So the aforementioned example would become:
Bruce Dickinson - Vocals (tracks 1, 3, 5)
For credits involving tracks that are not present in the regular (parent) entry of the album like bonus material, additional credits can be added on album child entries under "additional lineup;" follow the above-mentioned protocol for these as well.
Thank you for your comprehension.
We have seen contributors use the "Other" format category for discography entries as the equivalent of "I don't know, but I have to select something". However, that's NOT what that option is for. It is intended for comparably rare and "exotic" formats not covered by the usual categories, like for example 8-track cartridges or USB sticks. As such, releases categorised as "Other" should always include additional information in the version description field (and optionally the additional notes for yet further details), specifying what exactly this "other" is. Example. Again, it is not to be used for when the format is simply unknown to the user. If the format is not known or not reasonably certain, the entry shouldn't be added. The format is -along with the title, release year and complete tracklist- a minimum requirement for a discography entry. If one of those things is missing, use the additional info field on band pages. Example.
On a related note, I have observed an alarming number of cases where people select "CD" for entirely digital releases. While plain old laziness or error is obviously not to be ruled out, I assume that this is at least partly based on the practise of referring to any sort of release as a "(demo/full-length/etc.-)CD" in casual speech. While that is hardly a surprising phenomenon in natural language use, for the purposes of this site, when we say "CD", we mean an actual compact disc. Be specific and literal. Otherwise the whole release categorisation becomes a misleading mess.
Looks like the announcement below scared a few people. :) Don't worry, as many others have surmised, it was just an April Fools prank. Rest assured, you will never have to pay to view the site, and we will never sell off site privileges.
Thanks for some amusing reactions, everyone.
As many of you know, late last year Metal Archives hit the 100,000 bands milestone. Back in 2002, when the site was founded, I doubt anyone thought we would ever reach this mark. Unfortunately, these achievements come at a price - a very literal one. As the site grows bigger, requiring more and more server space, and traffic increases, requiring more and more bandwidth, the associated costs have increased as well. Back in 2002 it was no big deal to run the site for free - but now, 13 years later, the costs run hundreds a month, even after factoring in the revenue from referals and the donations of a generous few. The owners and staff aren't interested in profits, or we wouldn't have gotten this far, but when it comes to taking money out of our own pockets there's a limit. This means that unfortunately, it's just not feasible to run the site for free anymore - at least, not without making some changes.
However, as we have always tried to be open with you, our fellow metalheads, we will try to be as frank with you as possible during this transition period. The question is, how can the site best support itself? Short of selling the site entirely - and some very lucrative offers have been made - the most obvious answer is through selling adspace. There's really no way around it. Going forward, we will be introducing some unobtrusive banner ads, which won't obstruct anything important but will bring some much-needed revenue to offset costs. Don't worry, no popups!
Still, we know a lot of people hate ads, and Metal Archives has always tried to be ad-free, so in the spirit of that we will also be introducing a few compromises that we hope will keep people happy. These will come in the form of a subscription service. Before we get into the details, we would like to stress that all the basic features of Metal Archives will and always will be available for free - no paywall, now or ever! What these subscriptions will do, however, is provide an easy way for members to help support a site that provides services we all use, while also providing some conveniences they might appreciate.
Firstly, to conserve bandwidth, all non-subscribers will be limited to 15 band page views per day. This should be plenty for most people to get the information they need, while cutting down on pointless (and costly) aimless browsing. All subscription tiers meanwhile will allow for unlimited* browsing, and provide the option to hide the upcoming banner ads. All reports, reviews, and bands submitted by subscribers will be highlighted in their respective queues. Finally, all subscribers will have access to a members-only forum!
Now, on to the tiers! All prices given in USD.
Silver tier: Metal Soldier - $1.99/month
This is the basic package that provides the member services described above. A forum badge is also included, allowing you to show off your contribution!
Gold tier: Metal General - $6.66/month
This tier comes with all the basic perks, along with giving subcribers the ability to edit site info as if they had Veteran status. In addition, their reviews will be accepted automatically. As before, a special forum badge is also included, to display to the masses your love for metal!
Platinum tier: Metal Dictator - $66.60/month
This tier is reserved only for hardcore metalheads only! Along with everything the previous tiers get, this tier also gives honorary moderator status. This means you get an email address using this domain (firstname.lastname@example.org), as well as having access to the moderation queues just like a real moderator! Finally, you'll have access to the moderator-only staff forum, giving you a chance to weigh in on all Metal Archives decisions. Does one of your favorite bands deserve to be on the Archives? This is your chance to get them in!
Bands and labels
We are also working out the details of a sponsorship system that will allow full access to edit your own data, as well as priority placement in search results, among other things. Starting at only $16.66/month!
Keep in mind that all of this is pending review and may be subject to change before it goes live. None of this is set in stone, and we're also interested in getting your feedback directly! Come discuss with us using this thread.
We've noticed some misunderstandings with when to include a country in the "version description" field on album pages. While we're working on fleshing out the guidelines on this issue, please keep the following in mind:
Country tags should not be added to the description field unless separating two otherwise identical versions. Please do not add a country tag to every version of an album to match the label that released it. We are not Discogs. Adding a label to the album precludes the need to add the label's location in the description field. For example, it is redundant and silly to add "Mexico" to every Scarecrow Records release. Unless it's useful to distinguish identical versions of an album, it's best to leave out the country tag.
The only exception to the rule are Japanese pressings, which are consistently and markedly different enough to warrant always including that tag. When you do put down a country tag, just use the country/region name (ex. Canada, Japan, Europe, Germany). DO NOT write "Japanese" or "Japanese version." That's redundant.
Thanks again for your understanding! \m/
We now have the option to mark releases with material on only one side of the medium (mostly applying to vinyl or cassette) with a specific checkbox situated near the release tracklist ("No B side"). Note the orange info box on the bottom of the edit page as well. Please make use of this feature and transfer version descriptions such as "single-sided" or "one-sided" accordingly (don't forget to also delete the description afterwards). If you can't, file a report asking other users to update it for you.
Be aware that this is NOT the same as a release having the music repeat on both sides. There is a separate checkbox for this and obviously the two are mutually exclusive options.
Moderator Diamhea asked me to convey the following to our userbase:
We are having a rampant issue with unintended duplicate album versions, coming universally from users who are under Veteran and looking for a way to edit parent entries. Since the implementation of the other versions feature, users who would otherwise be forced to flag a report to execute changes concerning existing album data are now somehow finding their way to the add a version (+) icon, thinking erroneously that this is the correct way to make their intended edits. Please realize that if you have under 1000 points, you cannot modify existing data fields and must use the report system to get these changes made. "Modifying" the album via the other versions feature just adds unnecessary/unwanted album duplicates and is not a valid way to circumvent the system, done consciously or otherwise.
Thank you for your comprehension.
We keep coming across instances of painters, writers, etc. (usually long-dead and from the public domain) being credited for albums they did not in any direct way participate in, often with extensive artist pages. Examples include English painter/poet William Blake or German painter Caspar David Friedrich, both artists from the 18th/19th centuries whose work has since been used by a number of metal bands for their releases, usually cover art, but sometimes also lyrical passages or entire poems.
Please be aware that we don't allow the usual artist entries for these individuals, a short mention about the used work and author in the album's additional notes is enough. Any such artist pages that we come across are going to be deleted. If you are aware of any, please either flag them via the report function or post in this forum thread, which was created for this very issue.
The rule of thumb here is that any author/artist whose work has not been created specifically for the album in question should not be credited in the lineup. Said section is intended for people who had an active part in the creation of the release, not those whose past work has simply been appropriated for a new context.
An exception is made for copyrighted material from more recent/contemporary artists the use of which has been legally paid for, ex. H. R. Giger. These are usually acceptable, though there are always some grey areas. Above everything else, if you are unsure, please ask in the thread I mentioned earlier before creating any new entries. Thank you.